Rideau, Cruchon et Compotie picasso

Rideau, Cruchon ET Compotier was created about 1893 to 1894 by French artist Paul Cezanne. The painting is considered as the most expensive painting based on still life theme.

Rideau, Cruchon ET Compotier Analysis:

Paul Cezanne was a great post impressionist French artist. It is believed that Cezanne's artworks laid the foundation of the alteration to move from the 19th century traditional art world to 20th century new style of work. Thus, Cezanne formed a bridge between the late 19th century Impressionism and the early 20th century's new artistic world, Cubism. In all his artworks Cezanne establishes his great command over color, design, composition and draftsmanship of art.



One special characteristic of Paul Cezanne is that he is an expert in using rhythmic, susceptible and exploratory brushstrokes in all his artworks. Another common trait is the artist's excellence in using small brushstrokes and simple colors. Cezanne's paintings reveal the artist's nature of thoroughly studying a subject before actually portraying it. Paul Cezanne was especially popular for drawing still lifes. One such still life work is Rideau Cruchon ET Compotier created by Paul Cezanne in about 1893 to 1894. Rideau, Cruchon ET Compotier is considered as the most expensive painting based on still life theme ever sold in an auction. This painting of Cezanne expresses the complex emotions of the artists even being based upon core realities of life. Such paintings are said to lead the creation of new art styles during 20th century like the Cubism of Picasso.

Rideau, Cruchon ET Compotier Auction:

This expensive painting has a long history of moving through hands of different potential art lovers such as Paris dealer Cornelis Hoogendijk, Ambroise Vollard, Dr Albert C. Barnes, Paul Rosenberg, and the Carroll Carstairs Gallery. Finally on May 10 1999, at Sotheby's, New York Rideau, Cruchon ET Compotier was sold in an auction for $60,502,500, establishing a record of first still life painting to be sold for such a high amount. However, later on the painting was resold at a loss.